Ira Glass says some interesting things on the creation process.
Maggie Cheung.
Jean-Baptiste Mondino for The New York Times.
“I think us Asians have a certain nuance with people — qing — that foreign people I just don’t think have. Watching A Better Tomorrow and those John Woo movies — they don’t see the stuff that we see. We see that kinship between males and friends; they see bullets flying around and action sequences. So it’s a different thing that I think we have.”
Tom Lin (林書宇). Director of Winds of September (九降風).
The Substitute
by Dawn Woolley
via arcademi
I really love Maggie Cheung’s hair, I’m dying to cut…thx drduckling:
Maggie Cheung
by Feng Hai
for Glass Magazine #1 Grace
Available in limited edition,
only at the Liberty, Selfridges & St Martin’s Lane Hotel book store.
[ Source: Diane Pernet ]
“Sitting there, alone in a foreign country, far from my job and everyone I know, a feeling came over me. It was like remembering something I’d never known before or had always been waiting for, but I didn’t know what.
Maybe it was something I’d forgotten or something I’ve been missing all my life. All I can say is that I felt, at the same time, joy and sadness. But not too much sadness, because I felt alive.
Yes, alive.
”
Carol (from Paris je t’aime)
(via travelhighlights / togetlost / pseudopoetry / followyourbliss)
(via fuckyeahfrenchcinema)
“I’ve never gotten anything out of his movies. They have felt constructed, faux intellectual and completely dead. Cinematographically uninteresting and infinitely boring. Godard is a fucking bore. He’s made his films for the critics. One of the movies, Masculin, féminin, was shot here in Sweden. It was mindnumbingly boring.”
Ingmar Bergman on Jean-Luc Godard (via nordified)
Hahahaha. That’s a bit of a strong reaction, but I have to admit, after you get over the novelty of some of his filmmaking tricks, it’s easy to lose interest. A lot of the wit is superficial and stylistic (well, at least in the ones I’ve seen). However, there is a certain charm in the actors and their performances which I believe is what many people like about his films. To me, his films have always been mostly just about style. So, I suppose that kind of reaction isn’t a surprise.
(via 990000)
Rebels of the Neon Gods
dir: Tsai Ming Liang
Kitano “Beat” Takeshi & Wong Kar-Wai.
Photo by XIN 鑫
"First Spring"
A contemporary Film by Chinese Art Star Yang Fudong for Prada
Starring: Geng Li, Ji Lili, Zhao Lei, Gao Xiu Li, Jacob Coupe Adrian Sahores
David Ruffin was so next level with his pre-flattop and black glasses.
via carmelb / lostandsound
(via nerviosismo)
Part 2
Last Life in the Universe aka Ruang rak noi nid mahasan
Director: Pen-Ek Ratanaruang
Director of Photography: Christopher Doyle
Part 1
Last Life in the Universe aka Ruang rak noi nid mahasan
Director: Pen-Ek Ratanaruang
Director of Photography: Christopher Doyle